Originating from the act of pressing on the flanges of tape reels, and becoming even more popular with the advent of analog pedals, the Flanger effect can be coaxed into bell-like resonant sweeps, or add a silky, shimmering sheen. This … Continue reading Flanger
Our 8-Bit Crush model gives you a wide variety of grimy crushing sounds. You can even individually mute or invert any of the 8-bits. Drive 0.0dB to 12.0dB Crush Gain -24.0dB to 0.0dB Mix 0 to 100% Bit Mode off A, B, C, D, … Continue reading 8-Bit Crush
This booster effect, based on a well-loved clean booster pedal with 20 dB of gain boost and a built-in EQ, is used for driving the preamp section of any amp model into a gentle (or not so gentle) overdrive. The … Continue reading White Boost
This distortion effect, a custom model built just for Eleven Rack, offers a range of overdriven tones, aided by its built-in Bass and Treble EQ, which help shape the response of the clipping circuit. DC Distortion is a custom effect … Continue reading DC Distortion
Green JRC Overdrive was inspired by a low-gain 70s overdrive pedal, loved by blues and blues-rock players the world over for its sweet, singing sting. It can be used to simply drive an amp’s input section into gentle clipping, or … Continue reading Green JRC Overdrive
Inspired by an 80s-era op-amp-based distortion pedal, BlackOp Distortion offers massive crunch and power. Its hard-clipping drive can squeeze aggressive rhythm and lead tones out of soft- sounding vintage amps, and create surprisingly hard-edged tones when paired with more modern … Continue reading Black Op Distortion
The pedal that inspired Tri-Knob Fuzz was a transistor-based unit, originally popular with lead guitarists searching for ever-higher gain in the 70s. It shone again in the 90s grunge rock scene, probably pushed further into woolly grind than its makers … Continue reading Tri-Knob Fuzz
